In Between
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Wake Me

I think the volume is at a better place with this one than with the previous track. I still have to apologize for the sound wuality, though. They're recorded straight onto my looper's internal drive and then played through a shitty 3.5mm extender into Audacity on my laptop. Not exactly Gold Star Studios. Either way, I drunkenly declared several weeks ago that I should write a death metal song. And in the spirit of trying to change and stop being a No-follow-through Norman or a Qunicy Quitter, I've been working on ideas to put toward that end. A few of them are okay. A lot of them are utter crap. But now and then a sound comes out of my amp that's halfway decent and I think the ones I'm posting below are a small collection of some of those decent sounds.

It's not so much a death metal sound as a metalcore sound but they're close enough together that I'm going to allow it. And it's not so much a song as an intro, but creativity only spawns more creativity so I'm going with what I got.

I should have more faith in myself. I should stop typing this massove disclaimer.



I love disclaiming, though. The soaring lead comes in a little wimpy and the driving lead gets confused when it speeds up. But I think it's pretty okay.

Roar,
 -Sad Blogger

The Ultimate Love Story?

I wish there was an opposite of time travel. I mean I guess that would be stopping time. But I wish there was something more profound. A friend recently asked me why we were even friends at all and I replied that it was due to infinite improbability. And reflecting on that, I fell in love with the idea of two people meeting each other--despite all odds--throughout the ages. You know, different lives, different times...all that. But that one's been done to death. Souls are always transcending time and finding each other and making beautiful babies with CGI irises that look just like the irises of the last blah blah blah. So I thought what if there was this reality where space travel was the stuff of science fiction. Not like From the Earth to the Moon, but like moving through planar space. Like imagine people are stationary and they live in this reality in which everything is hinged on eventuality and they all just allow time to pass around them until something happens and that's just the way life is until the story's protagonist discovers the ability to move through space. And he falls in love with a girl who has the same gift. And they traverse the globe while people watch on in wonder. Or maybe they don't see them at all! Because people never see time travellers in all those stories. They keep that shit secret-like. But the point was that this guy and this girl would criss-cross the planet and keep running into each other. They'd be like the first explorers. A whole massive world that the entire population is just glued to, waiting for their lives to come to them, and these two are able to miraculously flow across it. They break free of their stations and wander. And while they wander, every now and then they find each other. They begin to sense each other's existence no matter where they are. They are so profoundly free in this world that they are drawn to each other's freeness. I know a smart person would have said freedom there, but freedom has so many preconceived notions and visualizations attached to it. Freeness seems like it's just whimsical-albeit-wrong enough to express the thing that draws this guy and this girl to each other. And every time they are drawn to each other they fall in love just a little bit more but they are meant to roam and so they do. But eventually they begin to surpass their lives. In travelling and wandering and roaming free; in moving, each had lived beyond his and her potential. They didn't stand and let their lives pass them, they sprinted through life to the point that it stood still and they rapidly neared its end. And so drawn to each other more powerfully than ever before, they find each other one last time and they are so happy to have shared the secret of the entire world. And they embrace and they love each other and that is the last thing they do as their love pushes them beyond the boundaries of time or space and they wink out of existence.

Or something like that. I'm not so good at endings.

But then that whole thing creates so many problems. Why are people just stuck in space? How are they born? Where are they born and if it's in a different place than where they end up, how do they get to the place they end up? Are there all these people just kind of toppling off of each other like a pile of unpeeled potatoes? Does that make the concept silly? Where did civilization come from if nobody has ever been able to move? Or is this reality on some sort of different plane? Is the entire earth just covered with people from end to end and they all just serve one purpose or another? Like pixels? Rather than walking across a room carrying a hammer, does the hammer move through time from one person's hand to the other like animated reality? And given that reality, does the space the protagonists move through exist in a separate dimension? Do their bodies transcend the first reality and move in a world completely devoid of other people and that's how it stays secret? Does this complicated set of rules make the setting too complicated a place within which to create a story? Would it take too much explaining or is that a good thing? Does complexity create grounds for development and therefore allow for more writing (which in my always-rushing-to-the-end-of-a-project case is a good thing)? Or do the laws for this reality need to be completely re-thought out? Are people not human beings? Are they sentient moments being projected through time like frames of film? Is the story less about the base science fiction premise of two people warping dimensions or is it about something more inconceivable like something as abstract as a moment or a memory isolating itself in an infinite current of other moments and manifesting itself in the form of a being? Could it be a creation theory? Could this story suggest something as fantastical as Time becoming sentient and conceiving itself in a physical form so as to experience Space? Is the real love story between Space and Time and only represented by these two gifted souls destined to find each other? Or can the two realities mix into one story? Like did Time create the girl and she was stationary like all the others in the first scenario and Space created the boy so that he might search the world over for Time's daughter? And maybe just as he's about to run out of time her finds her and suddenly he has all the Time in the world? And his finding her finally gives her Space to roam free and their union--the union of Space and Time--gives way to reality as we know it now in which we're governed by a strict mixture of the two? Could I turn this into a religion and be rich beyond measure? And then on my death bed renounce everything I'd ever taught and ruin the lives of countless people? 

That might be cool. Hell, I am pretty good at endings after all.

Who else?
 - Sad Blogger

Declaration of Intent

When I first started writing in college, I was cynical and I was incensed and I was biting. I enjoyed writing about anything because I had this anger to push me forward. I mean I didn't even have to be angry about a particular subject to write about it, the anger wasn't necessarily directed at anything. My writing wasn't emotional or revealing, but it was strong because it needed to be written. I had all these opinions and criticisms and they fueled the writing process. I had thoughts and shit to say.

And I did well writing like that. I had high marks with my writing in high school....as much as my teachers might have complained about the necessity of some of my arguments or examples....they always marked me highly. That carried over into college; I was a solid A- student for the first three semesters. My instructors called me brilliant and insightful and sometimes even daring. I didn't work hard. Most of my writing assignments were completed the night before they were due or the night before that. I remember one particular paper requiring several alarms to be set in order to wake up at 4 AM to finish and print off because our power was out for the entirety of the evening before it was due. And still I maintained my 3.7 GPA. 

But then I took a class called Advanced Composition and my instructor treated me like even more of a joy than any of the previous ones had. We shared a sarcastic but jovial rapport and she often intimated that she figured I was nothing short of a genius. But when I asked how I could become a better writer, she told me to expand my voice. She said that all of my writing was essentially the same and the only way to become a better writer in general is to become better at writing outside of one's own head. She recommended I try writing more vulnerable. Open myself. Embarrass myself. Stop writing with such a sense of smug knowing. 

So I started writing about a lot of my insecurities. I wrote about my feelings and my anxieties. I tried to shed my cynicism and write without thinking or editing every second sentence. Some of my trial runs of such writing are posted on this website. In fact, the instructor I was referring to even commented on one or two of those trial runs and expressed her disappointment at my inability to reveal myself even further. When I think of it now, I wonder if she didn't mean for me to keep the bite but turn it on myself. Examine my own shortcomings and mock them for the benefit of my reader. Well I can absolutely do that, I have some material set aside to assist me with that task. But for now I just want to attempt to articulate how much I hate the advice she gave me.

I used to love writing. I loved the catharsis of a nice rant. I loved watching words unfurl on the screen while I mashed the keyboard. I loved watching the arcs and lines of letters slide out of the tip of a pencil while I dragged it across a page. I loved staring at a sentence and willing it to be better. Erasing entire paragraphs and moving them up or down or into oblivion. I loved constructing and creating the perfect phrase. There was an aggressive yet methodical beauty to writing. It was poetry but it wasn't poetry poetry. And that's the problem, I think. 

I began to lean towards the poetry poetry of writing. It became less about saying something and more about wrapping something up in layers of pretty language. More about expression than articulation. Don't get me wrong: I love pretty language. I love that it can be clever and sexy and serious and whimsical at the same time. There are so many goddamn words and the ability to manipulate them like Tom Cruise with his magical computer gloves in Minority Report is real fuckin' neato. Part of me likes to think that leaning towards such flowery eloquence might have actually molded me into a decent poet. I've written a few rhymes I'm proud of. But the more I reflect on it, the more I wish I'd never fallen for it.

My work in school started suffering. My instructors still called me brilliant but they also called me reckless. My gleaming tiers of A-minuses became a haggard moshpit of D-pluses. I was constantly warned to follow the rules...that the strength of my ideas was hardly enough on which to hinge my sloppy, frenetic writing. And so I dropped out of school, exclaiming in protest that they had beaten my love of writing out of me. For most of the time since then, I've been working and too distracted by either stress of a job or the effortlessness of a consistent social life to think about writing. Besides, my love of writing was a crumpled husk locked in the boiler room where all enthusiasm goes to die in college, right?

But in the past two months I've been unemployed and burdened with an overabundance of insufferable free time. The battleworn gates of my mind have been flung wide open and I have nothing to deal with for sixteen hours a day but a brutal vortex of my own thoughts. And where there are thoughts there are emotions. I used to subscribe to this idea that feelings weren't real. That they were these imaginary impulses cooked up by your brain to add some sort of context to existence. Because existence really doesn't make much sense without a bit of context. But now with my head so well-ventilated and unguarded, my emotions are like a collection of uncooked Kobe beef cutlets suspended in wax paper in a massive atrium at the center of my mind. And my thoughts are like a razorwire tornado. See, usually the emotions are strung up in there with all the shutters locked tight and the violent swarm of thoughts are like a forcefield orbiting the locked down vault. An emotion might try to escape every now and then, but the thoughts surge and flow so rapdily and so sharply that the emotions can't get through. But with no distractions--nothing to really concentrate on--my thoughts are just spinning through my emotion vault without a care in the world, nicking and tearing at my poor hopeless emotions. 

Anyhow, I think that in spite of how emotional I've been in the past several weeks, some of my thoughts are finally starting to figure themselves out and make their way out of the vault. There are still stragglers...I've probably still got another week or two of moody introversion in me...but the process has been initiated and eventually all of those thoughts will be free and circling the abandoned Tower of Emotions once again. And that--and this is the point of this whole post--is when I will love writing again.

A couple years ago I went through a psychotic emotional process very similar to what I've gone through in the past week (the material-set-aside I alluded to...I'll get to it in another post shortly) and afterwards I shut down emotionally and became an amazing writer. Or at least I improved from where I was at then. I stopped stealing ideas from other writers and comedians and developed my own voice: the voice that worked so well for me in college. And I think soon, with some practice, I will be back there. Maybe I'll improve or evolve further, or perhaps I'll simply just rediscover that voice. I'll try to incorporate the poetry poetry into this new voice if I can, but either way, I intend to melt back into the bitter, cynical, brilliant asshole that I used to be.

So this is my declaration of intent. I intend to give up on the vulnerability for a while. I'm going to shut down and I'm going to close up and I'm going to hate. Because it was so fun to hate. I'm going to observe people and I'm going to watch shitty reality TV. I'm going to stop growing in order to grow up. Because I'm tired of trying to find my way. It was so much easier to just hate and drift. My opinions were a raft and life just sort of passed around me. Now I'm so entirely out of touch with my own ideas and life is this overwhelming labyrinth and I want to drift again. So yeah...hopefully that works.

Otherwise what the fuck else am I supposed to do?

Driving

This blog has sort of been drifting away from writing for a while now. Perhaps I'll think of something worth writing about in the next little while, but for the time being I figure why not embrace the direction its heading? Every couple nights I sit down with my guitar and my looping pedal and tinker around with various chords and runs and I was thinking that from the outset, I described The In Between as a place to drop pieces of our imaginations...and if you ask most people, they'd say that music comes from the imagination. So I'm going to start posting some of the tracks I come up with on the looper. They're rarely longer than 30 seconds, but now and then they're either so profoundly odd or miraculously virtuostic that I think I really have to start sharing them. So I present to you, "Creating Without the Effort of Writing."

This first one I'm going to start off with is one that I've been playing for quite a long time, actually. That is to say, whenever I'm in a particular headspace, I start banging this track out and it relieves all my stress or tension or heavy boots (to borrow an expression). But I posted a poem up here the other night called Sleepdriving. Now the word "sleepdriving" comes from the title of a song by a band called Grand Archives, but the poem was inspired by a drive I took in the middle of the night several weeks ago. I just put gas in the tank and went speeding through the "prairies" and then the mountains to escape the violence of the city lights and be alone in the pitch darkness with my thoughts. At several points during that drive, it was so dark around me and the road was so twisty and turny and I felt like I was going so outrageously fast...my heart was railing against my chest and my breath was permanently caught in my mouth. And I think finally I've found a context for this track below. It's always had a sort of freeing, raging feeling, but I think now that I have an experience to go with it, the 12 lead notes in this track are about whipping through pitch blackness at 3 in the morning with no more purpose than simply outrunning the city lights.



Judge away,
 -Sad Blogger

Buttered Croissant

Nobody wanted to write me a song about a croissant. So I wrote my own goddamn croissant song.



If you don't like it, blow it out your ass.
 - Sad Blogger

Sleepdriving

Last night Lachrymose and Ariadne danced
through your perfume and beckoned me with
gleeful whispers into the cold unending
midnight. They wore masks of your profile
and sang me gilded promises and I sprinted
headlong after the love I thought was owed
me. We careened we galloped we sped past
dinosaurs and death and for a moment I
thought the wind was evil but it was only
singing lullabies. I chased Ariadne south
but she vanished with a sigh at the end of
a country road and your perfume was horse
shit and the city screamed my name with
envy. Home shone like a beacon but when
I ran to it Lachrymose called to me and
my feet pointed west and sleep waved after
me sadly. So much stock is put in the greats
but the greats never sped never flew never
roared like I roared into the darkness between
asleep and dreams. Lachrymose shuddered with
great gales of laughter as we catapulted into
the void and soon his laughter was swallowed
by the trees. The cruel luminescent talons
of the jealous city grasped at my heels but
mountains laid down for me and so I sprinted
after the echoing promise of you. But soon
the aloneness was apparent and the aloneness
was profound and the city was a tired imprint
in the sky and I sat alone by the roadside.
Foggy reflections of stars mocked me with
their distance and cold silence clung to my
head as I contemplated the significance of
darkness. This place feels forbidden but it
seems like we belong here like there's a truth
in the stillness like our selves are waiting
for us in the trees. Somewhere on the road to
dawn I lost my mind and every flickering light
was a malicious phantom and my heart was a
ball-gag and my eyes were wild. But home
hurtled toward me and sleep was there to
soothe my screaming legs and the promise of
this morning was all I ever needed.

In Between Songs Episode 4

The sound quality of this one might be a little down thanks to how difficult it was to acquire some of the files. But I suppose the point is to help find new music and if you like the bootlegs enough, you can go out and buy the HIGH DEF SUPER SURROUND SOUND versions, right? Riiiiiigghhhtttt???

Anyhow, mostly alt rock/indie pop this episode. Move along if that's not your cuppa'. On the other hand, this might be a great way to make it your cuppa' if it wasn't already. As always, turn down your volume just in case and enjoy.


For those who want to take it to go, an mp3 of the show can be downloaded here.

Songlist:

Nedry - Float  youtube
Moonlit Sailor - Waiting for Nothing  youtube \\ torrent the album
I Was Totally Destroying It - Vexations  youtube
The Hundred Days - Disaster  youtube
The Beautiful View - The Horseman  youtube 
Moneybrother - Born Under a Bad Sign  youtube \\ torrent the album
The Features - How It Starts  youtube \\ torrent the album
My Jerusalem - Sweet Chariot  youtube
Heligoats - Are You Saying Yes  
The Builders and the Butchers - Rotten to the Core  torrent the album

Tuesday Afternoon Brainstorming

Yesterday, the internet had the nerve to ask me what an ISP is. I mean everybody knows it's an Inter-space Potato.

Sometimes ISPs go insane and start eating each other. Cannapotatobalism.

There's a class in some universities that teaches students how to put a potato in a can. They literally stand in front of a desk, pick up a potato, pick up a can, and insert the potato into the can. But there was one student—let's call him Stanley—who was incapable of making any progress with his assignment and was subsequently labelled by the class as being the dumbest person in known existence. Any time one of their peers would make any sort of gaffe or mistake, they took to ridiculing those poor souls with shouts of “He's so stupid, he couldn't even can a potato.” This phrase gained such massive popularity in the '30s, it spread worldwide and was accepted into the global lexicon of slang. Several decades later, young people would wonder from whence the phrase originated and facetiously hypothesize to each other that it came from an antiquated post-secondary program in which students were taught to put potatos in cans and that the people who failed at this activity were thought to be major losers. They would laugh. And it would be true.

It was recently brought to me attention that the Canadian government has made a federal decree against uttering the words, “It's not a tumor.” Obviously, this was an exciting and maybe even relevant practice in the '90s, but it is not 2013 and the joke is now a satire of itself. This is thrilling news for many people worn down from years of tumor humor, but it has been brought to our attention that the latest announcement from Parliament Hill is more of a roadblock than a blessing for some. Oncologists everywhere are up in arms over the new law, claiming that it makes a significant percentage of the news the deliver to their patients virtually impossible to deliver.
"Mr. Vrenelope, I have some good news for you!"
"Splendid!"
"Indeed, I'm please to tell you that it's not...well I mean...the...on your spine...it's not..."
"Yes?"
"Well this is difficult to say."
"I thought you said it was good news?"
"Oh it is! No, no, no. It's excellent news. It's just...you know."
"No, I don't, Doc. What's the meaning of this?"
"Okay I'm going to say a word and you say a word that rhymes with it. Good? It's not a...rumor..."
"Humor? What?"
"No!. I'm trying to say you don't have a....bloomer..."
"I beg your pardon!"
"Oh my god why is this so difficult?! Ummmm. Alright, lean in close. (whispers) It's not a tumo-"
"POLICE!!! GET ON THE GROUND!!!"
"Hmamsndjbhsdma!"

Last week I read a chapter on the power of the prepositional phrase in the may-as-well-be-a-ninth-grade-grammar-textbook I was required to get for my online journalism class. It was explaining how it is possible to communicate an idea with a sentence comprised of barely more than a subject and a verb, however, many ideas are too complex to express with simple sentences. Now obviously a nice, chunky sentence full of articles and prepositions and punctuation and conjunctions is easier to understand and is more aesthetically pleasing. But you can express an idea with a long string of simple sentences. So I was thinking that it would be cool to pen a novel written entirely with simple sentences. I realized, though, that such an extensive, mangled collection of single thoughts would quickly lose its novelty. So I think maybe a one- or two-page short story would do. I mean I'm not going to write it now, but I'm just sharing.

Collapsing laptop screens. Boobies.

A man is standing behind me, counting nails in the walls and making obscure gestures with his hands. It's possible he is a gifted kung fu master fighting off the phantoms sent to protect said nails. It's also possible he's trying to measure the available space on the wall to hang his artwork. But it's more interesting to imagine that the bare nails were forged from some mystical biomineral that various gods and demigods mined into obscurity in millenia long expired. These nails are the last remaining implements made of that stuff of fairytales and all manner of ghost and spirit have been stationed for eternity in this coffeeshop to protect the nails. But this inconspicuous Asian man with his blue '90s windbreaker and camera slung round his neck...he is daring. He dares to appear here now, amidst this swarm of phantoms, and fight to the death to acquire the ancient magics stored in the seemingly insignificant nails. Or. You know. He's just counting nails.

 

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